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Pennington Hours
Dreamy jazz meets krautrock trance in Anteo Fabris’ Pennington Hours. The international lineup — featuring players from the Tucson Symphony Orchestra and the Century Room orbit—finds common ground among many influences in a continuous state of flux.
Pennington HoursANNOUNCING RESIDENCY AT OWL’S CLUB
We are excited to announce a monthly residency at the Owl’s Club in Tucson, AZ. Come watch us develop our sound in a moody, quiet atmosphere. Check our Instagram for upcoming dates.
Music for Strings
Performed by Rafele Andrade at the São Paulo Contemporary Composers Festival
Unicamp, August 2024
for four violins
Premiered at Christ Church, New Haven
November 2016
for solo cello
Commissioned and recorded by Stephen Marotto
September 2015
for solo contrabass
Commissioned and premiered by Erez Meyuhass
Yale School of Music, May 2017
for solo violin
Recorded by Wynton Grant
Yale School of Music, October 2016
Solo Piano
Commissioned and premiered by Constantine Finehouse
Whitney Humanities Center, December 2016
Commissioned and premiered by Peng Lin
Yale School of Music, April 2020
Commissioned and premiered by Maxwell Foster
Yale School of Music, May 2019
Music for Mixed Chamber Ensembles
for cello and harp
Written for the Arizona Friends of Chamber Music
Premiered by Juan David Mejia and Carla Fabris
Tucson, AZ, July 2020
for large ensemble
Premiered by members of the Yale Philharmonia
Sprague Hall, November 2018
Music and Sound Design for Theatre
Runts
Written by Melvin Bukiet
Music by Anteo Fabris
Premiered at the Teatro Latea as part of the 2023 New York Theatre Festival
NYT Review
Runts
Written by Melvin Bukiet
Music by Anteo Fabris
Premiered at the Teatro Latea as part of the 2023 New York Theatre Festival
NYT Review
Der Kult der Toten Kuh (“Cult of the Dead Cow”)
An interactive game-theatre performance about data collection and the immortality of data online.
Written and directed by Laura Tontsch
Music and Sound Design by Anteo Fabris
Premiered at the Zurich University of the Arts (Zürcher Hochschule der Künste)
Forthcoming performance at the Figurentheaterfestival, Germany
Is God Is
“A classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk.”
Written by Aleshea Harris, winner of the 2016 Relentless Award
Directed by Christopher Betts at the Yale Cabaret, 2020
Sound Design and Music by Anteo Fabris
Film Scores
Commercial, Studio Uni
Yunnan, China
September 2018
Bio
Anteo Fabris is a Swiss-American composer, drummer, and software engineer committed to cultivating a robust and thriving international network of artists through commissions, residencies, collaborations, and music festivals.
With composition degrees from the Yale School of Music (Masters of Music, 2019; Masters of Musical Arts, 2020) and Boston University (Bachelor’s of Fine Arts, 2013), he creates his work on the foundation of academic rigor. Working professionally as a jazz drummer, he keeps his ears on the beat, letting the ever-evolving scene inform his own musical evolution. He has written for theatre, opera, orchestra, chamber ensembles and an array of soloists.
Anteo’s private teachers have included David Lang, Chris Theofanidis, Martin Bresnick, Aaron Jay Kernis, and Joshua Fineberg. He has additionally received feedback on his work by Nico Muhly, Patricia Alessandrini (Stanford), Samuel Adler (Juilliard), Dmitry Tymoczko (Princeton), Amy Beth Kirsten (Curtis Institute), Robert Beaser (Juilliard), Günther Schuller, and has attended masterclasses by Steve Reich, Helmut Lachenmann, and Eve Beglarian.
By day, Anteo currently works as an engineer for a ranking healthcare network. He often utilizes programming languages to generate music. His compositions can be heard on his website, and his various coding projects can be found on his github page.
